Phrase: edgar lopez

Soundtrack Loops presents Foley V1 – Kitchen Things SFX. Created in Mexico by producer Edgar Lopez, Kitchen Things is a unique hybrid combo pack of Foley sounds paired with a diverse assortment of drum ‘n’ perc loops inspired by them. The title says it all—it’s kitchen things! Banging pots and pans, timers ticking, spoons, pans and tuna cans, crunches, gulps, burps and slurps… from the organic to the mechanical, electronic, and… well, you get the idea—the sounds of the modern kitchen, fully documented and conveniently labeled for your Foley post-production needs in 60 well-recorded drag ‘n’ drop one shots. After you’re finished in the kitchen, then bring the music! This is where Edgar brings in his beat-writing chops, in two sets (120 and 180 BPM) of rhythm loops, 80 in all, with feels ranging from classic dancehall to weird, Tom Waits-style pop, mini-industrial grooves, hilarious comedy beats and more. The production skills in play here bring to mind the amazing David Van Tieghem—file under ‘serious fun’ with genuine artistry. As for the sonics, everything blends together perfectly on a carefully constructed soundstage that’s wide, deep, and dimensional. It’s refreshing to get Foley effects recorded by a music producer, and this, in addition to being a dedicated Foley and beat loops hybrid collection, is where Kitchen Things stands apart as an awe-inspiring collection of great sounds, beats, and ideas.

As standard practice for all loops created by the Soundtrack Loops team, Key and BPM are tagged in both metadata and file names.

Features: 80 Royalty Free Foley Kitchen SFX Loops and Rhythms | 60 One-Shots | Universal .WAV, & Apple Looped .AIFF, & Recycle Included | 48kHz 24 bit stereo files. |

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Soundtrack Loops presents Foley V5 – Industrial Complex Sound Effects & Rhythms. Good News! Producer Edgar Lopez is back, with Industrial Complex, his fifth entry in the Soundtrack Loops catalog. Edgar owns a sweet spot between Foley and music. All of his Soundtrack Loops titles have both signature vibes and subtle yet distinct differences in mood and style that set them clearly apart, giving producers a large and expanding set of easily interchangeable sounds to work with. Industrial Complex has everything we’ve come to expect from Edgar—the wide-open sonics, the variety of sounds, and even that sly and sophisticated sense of humor he always brings to the party, which really sets him apart from the pack as an artist. Rolling out the adjectives, we have all the usual suspects: cranky, squelchy, raspy, boomy… The musical side is harder to describe—but it swings! It’s almost as if every box of junk has a set of rhythms stored in its atoms, and Edgar’s purpose in life is to root them out—and indeed he does, and with a remarkably positive nonchalance. Maybe that’s why it seems so funny sometimes—he makes it look too easy! And so, you need this if you produce industrial, electronic/experimental music, global pop, hip-hop, sound design, and… are we forgetting something? Oh yes—Foley! Industrial Complex contains 120 rhythm and noise loops (85, 135, and 200 BPM), 70 one shots, and 120 bonus REX files.

Features: 120 Royalty free Industrial sound effects loops and rhythms | 70 One-Shots | Universal .WAV, & Apple Looped .AIFF, & Recycle Included | 48kHz 24 bit stereo files. |

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Soundtrack Loops presents Foley V3 – Human Body Sound Effects & Rhythms. As the Foley series expands, it’s becoming obvious that Soundtrack Loops and producer Edgar Lopez are really on to something good. Where else can you get Foley sounds developed specifically with full-fidelity music production in mind? Foley V3: Human Body now joins V1: Kitchen Things and V2: Trash, to form a trio of titles that together deliver an impressively tight ensemble of flexible assets: Foley hits for your post-production timeline, one shots for your sample player, and inspiring beats that groove in unusual and surprising ways. Human Body contains 52 one shots and 80 loops (95 and 140 BPM). You get body drumming, mouth sounds, scratches, smacks and sniffs, clapping, coughing, and even sneezing, snoring and gagging if you want it! Compared to the first two volumes, the sounds here are smaller and shorter—analogous to traditional hand percussion, hi-hat, and accessory percussion sounds—and a great complement to the dynamic punch of Kitchen Things and the big drum sounds on Trash. Interestingly, as the Foley series expands, so does your capability for building complete and comprehensive drum/percussion kits from the bottom up. Edgar Lopez and Soundtrack Loops bring the tasty ingredients to the kitchen—you make the cake!

As standard practice for all loops created by the Soundtrack Loops team, Key and BPM are tagged in both metadata and file names.

Features: 80 Royalty Free Foley Human Body Loops and Rhythms | 52 One-Shots | Universal .WAV, & Apple Looped .AIFF, & Recycle Included | 48kHz 24 bit stereo files. |

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Soundtrack Loops intros Sports Foleys & SFX by renown foley recording expert Edgar Lopez of Office, Human Body, Industrial Complex, Trash to name a few. Edgar Lopez harvests location recordings that lend themselves to Foley, music, and a special place in between, where he works his unique aesthetic. He hears music everywhere—in Edgar’s world, every sound is fair game for the art form, and Soundtrack Loops is continuously delighted to represent his progress at every new step. And so, here we have Sports Foleys & SFX, a collection with that trademark integration of Foley and music that makes every one of Edgar’s titles so amazing. First up, the core sounds: 81 short, very crisp one shots comprising completely isolated sonic events that happen in a wide variety of indoor and outdoor sports, from stadium sports like baseball and football, to parlor sports like billiards and table tennis. These discrete one shot events are delivered with fast transients and sparkling 3D sonics, and as you can easily imagine, they all have enormous potential for making beats. This is illustrated here by the inclusion of 120 loops constructed at 80, 100, 130, and 160 BPM. This collection of killer rhythms is ready to roll on your timeline for instant gratification across many flavors of pop and electronic music, and we’re sure that you’ll also feel an uncontrollable urge to splay these sounds across your favorite samplers to investigate just what you can accomplish with this absolutely stellar title. Royalty free sports foley sound pack can be used for producing music, video, games, radio, and streaming.

As standard practice for all loops created by the Soundtrack Loops team, Key and BPM are tagged in both metadata and file names.

Features: 120 Royalty Free Sports SFX Rhythms | 81 One-shots | Universal .WAV, & Apple Looped .AIFF Included | 48kHz 24 bit stereo files. |

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Soundtrack Loops presents Foley V6 – Sounds of Mexico City Sound Effects & Rhythms. Musician / producer / Foley designer Edgar Lopez is back with his eighth Soundtrack Loops release, Mexico City. While we marvel at Edgar’s blistering production pace, let’s take a look at what we have in this title. Churning through 90, 120, 150 and 180 BPM, and for a total of 202 samples, Edgar takes us on a wild ride that immediately brings to mind the classic glitch music of the early aughts—if you like Mouse on Mars, Matmos, and Uwe Schmidt, and especially if you appreciate their most whimsical work, then Mexico City will certainly bring a smile. The sounds are rich with authentic inner-city vibes—chaos, urgency, impatience, vibrancy, grit, atonalities—and the spirit is strong, as expressed in a vast array of beats: breakbeats, fractured rhythms (again, classic glitch) equatorial street rhythms, stomping beats, and more. The sonic jewels are delivered with the same signature that runs through every Lopez collection in the Soundtrack Loops catalog—bright, crisp, and exquisitely soundstaged. Beyond the beats, the one shots folder lets you peer deeply into the Foley and location recording DNA, where it becomes obvious that Edgar’s perception of the world is one in which every object has a rhythm, every noise is music, every scenario is a song, and there’s an abundance of joy and strangeness everywhere he looks.

Features: 120 Royalty free Sounds of Mexico SFX, Foleys and Loops | 82 One-Shots | Universal .WAV, & Apple Looped .AIFF, & Recycle Included | 48kHz 24 bit stereo files. |

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Soundtrack Loops presents Foley V2 – Trash Sound Effects & Rhythms. Producer Edgar Lopez is back, with Foley V2: Trash, and that means we have a new series in play! Starting with Kitchen Things (the debut title) we were introduced to a fresh concept: the Foley-and-music fusion library. A great idea made real by a talented producer, Kitchen Things is by turns coolly esoteric, compellingly weird, and laugh-out-loud funny. On Foley V2: Trash, we’re treated to the same formula: loops (80, delivered at 130 and 200 BPM) and one shots (42 to be exact). The main draw is percussive impacts on cans, buckets, bottles, and more. These thuds, thumps, booms, clangs and ratchets, all made by striking household objects with hands and sticks, sound deep, round and rich, and are graced with great, highly detailed transients—they are, in fact, musical. The beats made with these sounds are just plain groovy, with a vibe and sparkle that, again, perfectly speaks the language of music—trash music for sure, but so tight and sonically pleasing! Back to the main draw—impact sounds suited for both Foley and music—you can be equally comfortable dropping Foley hits on your timeline, importing the one shots into your drum sampler to make totally complete kits, or using the loops in your music as complete beats. In every case, you’ll be well on to some great sounds—bang on!

As standard practice for all loops created by the Soundtrack Loops team, Key and BPM are tagged in both metadata and file names.

Features: 80 Royalty Free Foley Trash Loops and Rhythms | 42 One-Shots | Universal .WAV, & Apple Looped .AIFF, & Recycle Included | 48kHz 24 bit stereo files. |

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Soundtrack Loops presents Foley V4 – Office Sound Effects & Rhythms. Office is the fourth title in the Soundtrack Loops Foley series, imagined and produced in Mexico by Edgar Lopez, whose vision is becoming more remarkable at every step. In this continuing convergence of music production and Foley sound design, we now have Foley V4: Office. All four volumes work across music genres—they’re essentially genre agnostic. So, what makes Office stand apart? Office fits the Foley series paradigm, but the nature of the material gives this volume a slight tilt toward the classic motorik boing boom tschak that our German Art School students certainly all enjoy. It’s also the most, um… squishy. Enjoy paper rustles and pen scribbles, printers and scanners, telephones, typewriters and more, all staged in deep sonics and prepped for instant music production. The 80 loops (90 and 160 BPM) show just how busy one can get with these materials; the 61 one shots they’re made of are crisp, supple, and textured. Easily sequence fluid rhythmic soundscapes with a quasi-jungle or drum ‘n’ bass vibe—another nod to genre, and another Office standout feature. First Kitchen Things, then Trash and Human Body, and now Office—four titles and running. With Foley, loops, and one shots, each has something unique going for it, and together, the collection presents a dynamic sound design resource with serious potential.

As standard practice for all loops created by the Soundtrack Loops team, Key and BPM are tagged in both metadata and file names.

Features: 80 Royalty free Office foley sound effects loops and rhythms | 61 One-Shots | Universal .WAV, & Apple Looped .AIFF, & Recycle Included | 48kHz 24 bit stereo files. |

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Soundtrack Loops intros Garage Rock loops and one-shots Edgar Lopez drops Garage Rock, a startling surprise departure from his usual genius-level Foley-meets-music tapestries—which incidentally, currently span eight Soundtrack Loops titles! Here we’re treated to a four-course collection of garage rock nuggets packed with ideas inspired by the birth of rock ‘n’ roll, no-wave angularity, Captain Beefheart-style wonkiness, Big Star swagger and surf rock tone. Each of the four included construction kit folders is packed with power trio themes for kit drums, one clean electric bass guitar and one pretty clean electric guitar, all loosely played and rendered with full clarity and dynamics. The guitar tones on Garage Rock are boilerplate rock—the naturally saturated sound of a solid body electric guitar plugged straight into a tube amp set up and miked in a real room… there’s no substitute! Flex your rock chops with 120 samples in all, and cross-reference Garage Rock with other Soundtrack Loops titles including Electro Rock, Arena Rock, Alt.Rock, Grunge Rock, and more. Getting a good live rock feel from loops can be a challenge;

As standard practice for all loops created by the Soundtrack Loops team, Key and BPM are tagged in both metadata and file names.

Features: 90 Royalty Free Garage Rock Loops | 30 One-shots | Universal .WAV, & Apple Looped .AIFF Included | 48kHz 24 bit stereo files. |

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Soundtrack Loops intros Motors, Machines, & Metal Noises – SFX & Rhythms. Motors, Machines, and Metal Noises delivers 120 loops and 169 one shots in an interesting split between veteran music/Foley hybrid producer Edgar Lopez, and Brian Kupferschmid, a sound effects producer and inventor of a mysterious musical box with “weird metal things and a mic” inside. It’s a perfect match! Edgar is up to his usual tricks—sampling everything in sight, bundling the sounds into folders full of one shots, and then making beats with these one shots that sound as if all his inanimate objects have minds of their own, with their own cranky stories to tell. In this set, the loops (delivered at 80, 100, 130, and 150 BPM) tend toward mellow glitch music, smooth and fluid, but still infused with that Mexican street vibe glow—pretty mellow for Edgar, and a great opportunity for introspective electronica producers to get some of that Lopez magic on their timelines. On the flip side, Brian’s noise box gets bowed, scraped, plucked and struck to produce sounds ranging from percussive hits to complex drones loaded with metallic overtones. Other included samples by Brian include ratchets, wrenches, drills, clicking things, and other stuff you might find in a dusty old toolshed. His contribution fits right in—these two producers are birds of a feather, and Soundtrack Loops is pleased to pair them up for this solid entry in the hybrid sample library column.

As standard practice for all loops created by the Soundtrack Loops team, Key and BPM are tagged in both metadata and file names.

Features: 120 Royalty Free SFX Rhythms | 169 Motors, Machines, & Metal Noises One-shots | Universal .WAV, & Apple Looped .AIFF Included | 48kHz 24 bit stereo files. |

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Soundtrack Loops presents Frightening Sounds. Strange voodoo from Mexico—it’s Frightening Sounds. This is not your typical scary sounds collection—instead of that faux-creepy stuff you might expect to find on a title such as this, here we have something that’s way more surreal. Producer Edgar Lopez knows both Foley craft and the art of music, and this makes all his work stand out as being unique in both arenas. Frightening Sounds is no exception—again, we have the Tom Waits-level weirdness, the slightly twisted, slightly ironic and totally spot-on sense of humor, the groovy equatorial rhythm feels, but this time, Edgar has also built in a vintage automaton-like crankiness that would sound perfectly at home in a Brothers Quay film—again, key word: surrealism. This arthouse vibe is what makes Frightening Sounds stand apart—it refuses to be typecast as gothic horror or dark industrial, and veers toward doing its own thing, which of course will better help you do yours when you need some dark potions dripped into your timeline. Frightening Sounds—80 beat loops at 85 and 120 BPM, and 71 one shots for your toolbox. Dry bones, rusty pipes, owls and rain, unknowable chants, unspeakable secrets—this title is great on its own, and a perfect fit in the growing Soundtrack Loops / Edgar Lopez collection of libraries that merge music creation and Foley sound design in a remarkable and refreshing way.

Features: 71 Royalty Free Frightening Sound Effects | 80 Loops and includes Universal .WAV, Apple Looped .AIFF, & Recycle RX2 | 24 bit 44.1 Stereo Files |

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